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Verdi's La Traviata, Live from the Metropolitan Opera | Public Radio Tulsa
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How It Works. Erratic rhythms throughout the performance, slip-shod ornamentation she blurred right over the ornaments in "Ah, fors' e lui" , and the failure over the years to execute an authentic trill leave me wondering how she manages to thrill so many people.
It was painful to listen to "Sempre libera. If that's how she sings when in a state of health, well It's all a matter of taste, anyway; some people love her, others do not. What matters is that opera is alive and well and has many passionate fans. I enjoy reading your blog and your reviews.
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All was said about Violeta's underperformance, but the productions for the most part was either approved and praised or ignored by the reviewers. In my humble - if you are NOT a genus, do not choose their works for your experimentations. Especially masked gypsies and bullfight scene. Good that Verdi could not see that nonsense.
The reason for the lack of critical commentary on the production itself is that it was first introduced in Salzburg in and has also been seen before at the Met. Saturday, April 14, Dessay struggles but draws us close. She had somehow managed to draw us close. Posted by Jeffrey Johnson at PM.
Anonymous April 14, at PM. Jeffrey Johnson April 14, at PM. Jeffrey Johnson April 15, at AM. Pamina April 14, at PM. Not quite as bad as it was Tuesday night, but not good. And I have to believe this chorus could sing Traviata in their sleep. So, I have to think the conductor either had too little rehearsal or is doing too many performances this month to give each it's fair shake.
That bothered me more than anyone person's singing. Unlike some, I love this production and was very happy in my sold out cinema.
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Well I like the production too. I think the coordination problems might also be due to the fact that Luisi is conducting basically every night for the rest of the season. All the Rings, Manons, and Traviatas.
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Still, the huge problems between him and Hvorostovsky were surprising. I listened to the broadcast and have to agree with your review. I don't care for this production and seeing Popsy once last season was enough for me, but if this HD makes it to PBS this summer, or on the Met Plaza, I'd be interested in seeing it. I remember hearing Dessay in Ariadne in the s at the Met - she was the brightest new star in the firmament, and it wasn't that long ago. I would love to see her transition to acting when she retires and hope that she will stop singing for a bit to rest and heal.
It was upsetting listening to her today even though she was as expressive as ever over the airwaves.
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